The Sheffield Scenester

By the time you get to Thursday of a working week, it’s a safe bet that you could do with something to make you smile. That was certainly the case for me, and so my visit to the Boardwalk was timed to perfection because the sounds of Leddra Chapman are guaranteed to bring happiness to even the glummest of faces.

Almost tiptoeing onto the stage in stocking feet, Leddra appeared gentle yet excited to see a seated audience applauding as the band took their positions. Opening with, ‘A Little Easier’, the first thing I noticed was how different it sounded being played on just violin and guitars. Even though the extra power from the drums wasn't there, Leddra still captured the emotion and intensity of the lyrics. As was the case with a few of the songs, the lack of drums meant that some of the impact compared to the studio recordings was lost. Certainly not a bad thing though, as it conjured up a very relaxed atmosphere which seemed to suit the small but attentive audience as they sat back and relaxed, letting the sounds wash over them, loving every minute. It also allowed the band to showcase their ability, obviously very well rehearsed, as the drum fills were replaced by alternative and intricate guitar parts.

Also missing was Leddra’s piano, meaning songs such as 'Edie' and 'Wrap Me Up' weren’t included. We were however treated to a couple of new songs, ‘Tongue Tied’ and 'Fallen from Grace'. The first one, as the title suggests is a rather wordy affair, and it was quite impressive that Leddra got through it without, well, getting tongue tied! 'Fallen From Grace' has become affectionately known amongst the more dedicated followers, thanks to a particular line in the song, as 'Fish Face'. On a personal note, I couldn't resist moving to the side of the stage to shout that out when Leddra introduced the song, much to her surprise! Both songs are impressive and indicate that a second album is planned. Dealing with contrasting aspects of either being in love or having a crush, they follow on nicely from the similar themes addressed in debut album, 'Telling Tales'. Regarding the unintentional but apparent theme, Leddra gleefully informed us that her response to a friend who complained about this was to write a song in which she states, “This is not a love song”. Of course, it clearly is!

Perhaps the best of this themed bunch is 'Wine Glass'. The audience put their glasses down and fell silent, as Leddra's vocals once again perfectly reflected the intensity of feelings it may be possible to have for someone. It's not in the slightest bit contrived, nor is it at all clichéd, as Leddra draws on her own personal experiences of how love has the ability to bring us happiness, hurt us, consume us, and help us grow. To sing about it must be quite cathartic, and to have something to show for it must surely be empowering.

Whatever the subject matter, evident throughout was Leddra’s ability to tap into an emotion, or recall a time and place, and turn it into a wonderful song the audience can connect with. Perfect examples include, 'Picking Oranges' and 'Summer Song', both sure to take you away to a place where the sun shines bright and time stands still. Total escapism. Just what was needed, seeing how our summer appears to have deserted us!

Given the small repertoire of songs, it was understandable that the odd cover would be thrown in. It wasn't just to pad things out though, as we were treated to a superb rendition of MGMT's 'Time to Pretend'. With the violin perfectly replacing the electronic sounds of the original, I honestly thought this version was better. Also included amongst a couple of other songs during the encore was a cleverly worked cover of Jamie T's 'Sheila'.

The otherwise respectfully quiet audience exploded with applause before the encore and also as Leddra brought the show to a close. With beautifully written songs, a charming well-spoken voice, and a beaming infectious smile, it was clear to see why the audience were so taken. Leddra returned the appreciation by taking time to chat to everyone and sign CD's afterwards. A few fans even took off their shirts and asked to have their chests signed, resulting in plenty of laughter and some amusing photos which you'll find on Leddra's Facebook page.

I could go on for ages about how good the gig was, and in fact this review is quite a bit shorter than the one I originally wrote, but I figured I might as well let the music do the talking. So, head on over to Leddra's MySpace page and have a listen!

I'd suggest catching Leddra live as soon as possible, because if she gets what her talent deserves, she might not be playing intimate venues like the Boardwalk for much longer.

Words & Photographs by Paul Handley